Shortly before the crime, Raskolnikov experiences what has become famous in world literature — — his dream of the suffering horse.
He is both the peasant Mikolka who cruelly beats the horse to death and also the boy who feels great compassion for the suffering horse.
He forces Sonya to read to him the biblical story of Lazarus, who was resurrected by Jesus. Lebezyatnikov then enters and informs them that Katerina Ivanovna seems to have gone mad—she is parading the children in the streets, begging for money.
It is this aspect of his personality that enables him to formulate his theories about crime and to commit the crime. For a short while, Raskolnikov remains as proud and alienated from humanity as he was before his confession, but he eventually realizes that he truly loves Sonya and expresses remorse for his crime.
He reveals to Raskolnikov that he knows Raskolnikov is the murderer. When Raskolnikov returns to his apartment, he learns that a man had come there looking for him.
Razumikhin tells Raskolnikov that he is certain that the police suspect Raskolnikov. He offers to give Dunya the enormous sum of ten thousand rubles. He soon returns to the street and sees Katerina dancing and singing wildly.
When he wakes up, there is a stranger in the room. He sleeps fitfully and dreams of a flood and a seductive five-year-old girl.
Sonya tries to convince him to confess to the authorities. For instance, when he spontaneously gives Katerina Marmeladov his last money, he regrets that he has given the Marmeladov family the money shortly afterwards.
After she leaves, he goes to visit Sonya, who gives him a cross to wear. Afterward, he stops for a drink at a tavern, where he meets a man named Marmeladov, who, in a fit of drunkenness, has abandoned his job and proceeded on a five-day drinking binge, afraid to return home to his family.
The dream is conterminously prophetic because it is the fourth Raskolnikov, the suppressive patriarch, who prevails by banishing the boy, by rendering him invisible, by silencing the inception of the symbolic confession, and by curtailing the heartfelt outburst. Consequently, he will often act in a warm, friendly, charitable, or humane manner, and then when he has had a chance to think over his actions intellectually, he regrets them.
At the height of tension between them, Nikolai, a workman who is being held under suspicion for the murders, bursts into the room and confesses to the murders. A year and a half later, Raskolnikov is in prison in Siberia, where he has been for nine months.
Dunya tells him that she is meeting with Luzhin that evening, and that although Luzhin has requested specifically that Raskolnikov not be there, she would like him to come nevertheless.
Luzhin leaves, and a fight breaks out between Katerina and her landlady. This forces Raskolnikov to consider it a perfect opportunity to commit the crime. He goes to another tavern, where he overhears a student talking about how society would be better off if the old pawnbroker Alyona Ivanovna were dead.
Eventually, he breaks under the pressure and accuses Porfiry of playing psychological games with him. Upon awakening from the dream, Raskolnikov renounces that "accursed dream of mine" and wonders in horror: The intellectual side is a result of his deliberate and premeditated actions; that is, when he is functioning on this side, he never acts spontaneously, but instead, every action is premeditated.
He also tells Raskolnikov that his late wife, Marfa Petrovna, left Dunya three thousand rubles in her will. The stranger is Svidrigailov.Crime and Punishment; Chapter 5; Table of Contents.
All Subjects. Book Summary; About Crime and Punishment; but soon it falls down dead. The boy in the dream, feeling great compassion for the stricken and dead mare, throws his arms around the beast and kisses it. Analysis. All through these early scenes Raskolnikov is. Fyodor Dostoevsky’s perspective in Crime and Punishment is far more astute.
In essence, there are four Raskolnikovs and they quadriphonically divulge confessional truth. At least unconsciously, Raskolnikov knows what he needs to sire his own deliverance.
The Four Raskolnikovs and the Confessional Dream. Free Essay: Raskolnikov's Dream in Crime and Punishment In Dostoevsky's Crime and Punishment, Raskolnikov's dream about the mare can be used as a vehicle to Home Flashcards Flashcards Home Essay on Raskolnikov's Dream in Dostoevsky's Crime and Punishment.
Words 3 Pages. Why does one dream?
What purpose do dreams serve? Some psychologists believe that dreams allow us to be what we cannot be, and to say what we do not say, in our more repressed daily lives; others believe they are just ones imagination at work.
There are also many modern theories of dreams. These theories can help explain Raskolnikov’s. It is this aspect of his personality that enables him to formulate his theories about crime and to commit the crime.
In order to emphasize this dual character in Raskolnikov, Dostoevsky created two other characters in the novel who represent the opposing sides of. Crime and Punishment: Raskolnikov's First Dream.
Go to Crime and Punishment Literary Analysis Ch 3. Crime and Punishment: Raskolnikov's First .Download